The essence of this truth lies in the fact that Taijutsu, in its broad usage of tactical space and interval, is in reality a physical metaphor for the broad usage of tactical space and interval within Bojutsu, since anthropologically, weapons came first. At the dawn of man, Grog didn't wallop Gorg with a "Judo chop!" and then figured he could do it even better with a stick. No, sticks came first. The descendants of Grog would later discover how to deliver said wallop without said stick. This would lead to our larger understanding of the martial means and ways, which always returns us in some form to the Bo. Thus, "Bojutsu" here does not just mean art of the "six-foot staff," it means to use the Bo, the stick, in all its forms and lengths.
In his seminal work, "Secrets of the Arts of Warfare," Kansuke writes about the Bo in a section called the "Chief of the Arts":
The pole is the chief of the arts. The explanation for this is that, for the spear and the halberd techniques, you cannot do without the pole too. So those who would acquire the techniques of long weapons first make this art the basis, learning the ways of using the body, hands, and feet, so they might attain the expert use of all the weapons in a warrior's arsenal.
Kansuke killing a giant boar. |
If weapons and tools represent a conundrum for the practitioner, and a gap one is not likely to bridge, then something is truly wrong. Wrong because a firm understanding of Bojutsu in all its various forms - hanbo, jo, rokushakubo, yawara, tanbo, sutekki, and every other iteration (and length) one can think of - is required if we are to make the kind of wise decisions it takes to use Taijutsu successfully under conditions of conflict and stress.
Without the studied use and familiarity of Bojutsu we can wind up learning a false sense of positioning and leverage within the interval of conflict. Without the proportionality Bojutsu affords, (Another Truth: how does an average man of maybe five feet in feudal Japan command an eight and half foot Bo? Proportionality.) we cannot learn to habituate our observations, decisions, and actions on a naturally earlier continuum than that of our opponent. As a result, our unarmed Taijutsu is late instead of early, reactive instead of adaptive, and reliant upon physical might to force, rather than use of the body as a shielded fulcrum to compel compliance and deny the opponent's countermeasures.
Bojutsu should not be thought of as simply a "good idea," but a necessary ideal. Recognizing that "Taijutsu is Bojutsu is Taijutsu" is to make a poignant discovery about the reality and use of Taijutsu because the Bo has played such a vast role in its design and our internal comprehension of that applicability.
Intuiting this truth means familiarizing oneself consistently with Bojutsu in all its iterations. Make it a daily habit to move with the Bo and integrate it often into training proper.
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